All right. So thank you very much for your patience and support yesterday. I know you guys have been loving this series, and I'm sorry I had to interrupt it, but I'm obligated to my incredible peers over at Project Mayhem.
Anyway, let's get back to work. I'm going to cheat a little bit this morning. I know. I'm sorry, but I think you'll find you're willing to forgive me. Today I've selected Richard Price as my behind the scenes storyteller. The reason I call this cheating is that Richard is actually a relatively famous "crime novelist," which is certainly not a behind the scenes role, but he is also pretty well unknown for being an incredibly talented screenwriter, which is a position that almost never gets the glory.
Mr. Price wrote the scripts for a few famous films like Sea of Love, and The Color of Money, but the way I discovered his talent was through the HBO series, which may be the best television show ever written: The Wire.
Before I get to the reason I'm actually featuring Richard toady: his screenwriting, I want to share with you one of the greatest interviews I have ever had the pleasure to witness in my personal pursuit of understanding writing. Richard Price was interviewed by Terry Gross, from NPR's Fresh Air, in 2008, about his then new novel: Lush Life. It's technically a crime novel, but IMHO it's also one of the greatest modern character studies in English Literature:
It's pretty long, but if you have time, PLEASE LISTEN TO THIS INTERVIEW. It's one of the best discussions of writing I've ever heard. The interview is mostly about the novel, but if you listen to the whole thing, you'll find he talks a lot about writing for the HBO TV series, The Wire, as well.
Another great discussion of the novel is available, in one of Evil Editor's book chats, here.
So. That's a lot about Richard Price's novel writing. I promised this post wouldn't be about that, and I suppose I've failed, but I do want to talk about his screenwriting. I've obviously never written a script, and I've never been to film school, but I imagine writing for TV is as different from writing for film as writing a Picture Book is from writing a novel. Not to imply that any of the four should be considered as less than any of the others, just that they're different.
Yeah. That's all beyond my scope of understanding, but I will say this: I know a powerful scene when I witness one, no matter what the medium, so I want to share with you a scene from near the end of The Wire, which Richard wrote, in which the policewoman, Kima, who happens to be gay, and has just ended her relationship, is reconnecting with her young son, who cannot sleep. The scene is not quite as powerful taken out of context, but I consider it an interesting, and surprisingly contemporary, take on a classic story:
And that, I suppose, is that. I could go on, but I'm sure you'd all get bored, so instead I'll just say this: anyone who is interested in discovering a great writer you might have never heard of should look into Richard Price. Here are a few resources:
Price interviewed by the City Paper.
Richard Price in the LA Weekly.
Richard Price in New York Magazine.
Thanks for reading, everybody. Happy Thursday!
NOTE: I've been asked to link back to Presentation Geeks, which is a useful site with a lot of tools and lessons for presenting information to fans and readers. Please check them out, and in particular, their article Captivate Your Audience With The Art Of Presentation Storytelling.
