Showing posts with label Joanna Stampfel-Volpe. Show all posts
Showing posts with label Joanna Stampfel-Volpe. Show all posts

Friday, August 12, 2011

Adam Russell Stephens' Current Query Critiqued

All right. Let's get right down to business. For those who haven't seen me do this before, my thoughts, feedback, embarrassing anecdotes, parenthetical asides, and corny jokes will be in red. Intro and outro will be bold. Adam's query will just be regular old text. I would say black, but I can't remember if my blog style forces it into some other color, like old-crone-grey, or doo-doo-brown.

Anyway. Before I get to critiquing what Adam has shared with us already, I want to talk about query letters, and the standard structure I generally suggest when people ask me to help them with their query. However, before I even get to that, I want to point out that there are no ultimate rules. For an example of an excellent, incredibly short query (by my friend Josin L. McQuein) that broke all the standard expectations, but still worked, please see this post, at Query Shark. Seriously, read that query; it will blow your mind.

Now I'm not saying you should break the rules, just showing that it can be done.

Anyway, so assuming you want to write a regular old query letter, this is how it works: One page or less, 250 words is generally a good guideline. Usually 3 paragraphs. First is your opening hook and pitch. You need to get across a strong sense of character right away, and if you can sprinkle in some backstory, in a nice, organic way, that's great. Second, you want to introduce the conflict. If you can sprinkle in setting and stakes, great. Finally, you need to give us an idea of what choices your character has to make in order to overcome the conflict.

So that's: Character. Conflict. Choice. The three Cs.

I'm not saying this query doesn't do that, in fact it does have all the basics, but I think it's missing other things. We'll get to that in a moment.

Before I get to the actual feedback, I want to point you to one more post. My own query (which isn't anywhere near perfect, and it still a WIP), won a contest at WriteOnCon last year, and I posted the analysis of it by Literary Agent Joanna Stampfel-Volpe, which you can find: right here. She does a great job of explaining what works, and why.

Anyway, to the query:

Dear Agent,

My name is Adam Stephens, the author of a 45,000-word YA novel entitled IMPERFECT SYMMETRY.

You can skip all this. Your name needs to go at the end, with the rest of your contact info. Housekeeping like word count and genre can go up front like this, and some agents prefer it that way, but I advise people to get right to what matters: the story.

IMPERFECT SYMMETRY tells the story of 17-year-old Adam Smith, who lives a double life. Your first sentence really needs more punch than this. The first sentence is the most important one. It's good you've included his age, but we need a better sense of character. You get right to some great stuff in the next sentence, but if you can incorporate his duality into the opening, it would make for a much stronger hook. And "lives a double life" is a bit cliche. On the internet, where he has spent a substantial amount of his summer, Adam is openly gay and, as a result, has developed a suitable relationship. What is a suitable relationship? I have a suitable relationship with my boss, because even though I can't stand him, he still signs my paycheck. The people I actually care about? Our relationships better be more than just suitable. I think I know what you mean, but you need to reword it. Is it loving? Caring? Exciting? All of the above? At home, the son of a chaplain at a private Christian boarding school, Adam appears Appears? To who? I think you can use a different (better) verb here. more conservative, his orientation a deeply buried secret he hopes no one suspects. Adam’s secret is well-kept until the day his online boyfriend—who lives in Scotland—shows up Shows up, or enrolls? You need to make this clear, because the way it's written here it sounds random, and comes out of left field. I know from your blog that he enrolls, so you need to just say that in the query, although it still seems pretty random, I think it can work if you just make it clear. at Pisgah Heights Academy, Move this up to where you first mention his dad is the chaplain, and you won't have to repeat these ideas. the school where Adam attends and where his father works as chaplain. Suddenly, he must choose between his church His Faith? Is Adam a Christian, or does he fake it for his dad's sake? and his boyfriend, his heart’s truth or his secret’s lie This is vague. I like the language of it, but I don't understand what it means. What is the lie of his secret? Just the fact that he's hiding it? Ultimately, Adam also knows whatever decision he makes will no longer simply impact his life, but the lives of everyone else around him. This is pretty good. A nice sense of the stakes, even though it might be considered obvious. Only, Adam isn’t entirely sure his heart, scathed by past burns, Get specific here. What past burns? Where's mom? can take another plunge into the fire.

The full manuscript is available upon request. Thanks for your consideration.

Okay. So I think the strength of your premise may be enough to garner some requests even if you don't change this query, but if you do want to tighten it up some, I would try to start with something like this:

17 year-old attacking-midfielder Adam Smith has to juggle more than just soccer balls. He spent his summer on the internet, falling in love with his Scottish boyfriend, but at home he must hide his sexual orientation, because his father is the Chaplain of the Christian boarding school he attends: Pisgah Heights Academy. His relationship isn't just a lie to be kept secret, to dad it's a sin.

So obviously that's really cheesy, and you probably wouldn't want to write it that way, but it's just an example of how you can squeeze more of the important information right into the first line or two, in order to pack more punch, and hook the agent right away.

The last thing I would say is that this query comes off as dry, and lacking voice. This is a YA novel, so try to write the query using the language that Adam Smith would. The only caveat to that is that the voice and tone of the query needs to match the style the novel is written in. If this story ends in tragedy, and therefore the writing in the book is a bit more formal, then this query's voice might be good. If the story is funny, or more lighthearted, then you will want to inject that into your query.

So that's it. What do you guys think? Can anyone write a better opening hook than I did? Come on, mine was pretty bad, surely one of you dear readers can do better.

Please leave your feedback in the comments, and feel free to disagree with me!

Monday, August 16, 2010

WriteOnCon Query Contest

So, I promised to write about my query win this morning and I will not disappoint! There is actually a pretty funny story about this whole thing so I will share that quickly before I share the query and Joanna's awesome critique of it.

I had posted my query in the WriteOnCon query critique forum here. On last Thursday night I was feeling pretty sorry for myself because people were not liking it so I sent an email to several of the writers I look up to and consider friends, asking them to chime in on the forum. A couple replied saying things like "of course, a little busy right now but will take a look as soon as I can", or something similar.

Then I got this email from Elana Johnson. Pretty much all it said was "DUDE!" and then it linked me to this. Needless to say I was pretty excited and especially happy to see that all those nay-sayers were wrong. Then I thought about it.

Those people weren't wrong. They were only trying to help and this is all so subjective anyway. So I thanked them for their feedback and went on my way. The moral of this story is that you must believe in yourself. That and don't believe every single critique you get. Only you will know what really resonates.

So here's Joanna's critique of my query, which you can also find on the amazing Coffey. Tea. And Literary. Blog.


Dear Ms. Stampfel-Volpe,

15 Year old Lee Ruccio is a reluctant juvenile delinquent. Great opening line. Makes me wonder what Lee is all about. He obviously gets into trouble, but it seems like he doesn't want to. The last thing he expected to find at reform school in the bitter wilderness of northern Idaho was magic. Reform school tells me he got busted for some of that trouble, and then Matthew adds another layer to this story...magic. And it feels natural. One thing that frustrates me in a query is when the paranormal/supernatural element in a query doesn't come into play until the last line. I'm left scratching my head. But Matthew is laying out the story perfectly, defining the character first, then the setting. But after the death of his mother, and estrangement from his useless, high-society, drunk-whenever-he’s-home father, Lee’s guardians ship him off to Rocky Mountain Academy and that’s exactly what he discovers. Just enough backstory for me to GET it.

Despite having to earn the right to attend classes after months of hard labor and being placed on restriction after getting caught alone in the woods with a female student, Oooooo! Rocky Mountain Academy redeems itself when Lee finally learns of the mysterious curriculum. The classes have names like “The Way of Unifying With Life Energy” and “The Eight Principles of Yong.” In them Lee and his new friends (and enemies) study everything from East Asian Calligraphy and Meditation to Aikido and Kenjutsu. Woah--now this academy sounds awesome and unique. Plus, I love anything involving martial arts, so sweet.

Permission to kick ass is pretty awesome when you’re fifteen and convinced it’s you against the world. Yes it is! At this point I'm pretty pumped...the first paragraph was great, so I'm down with a line like this. However, I can say, if this were an opening line, it wouldn't have packed as strong a punch (ha).

Through these disciplines Lee and his fellow students learn to manipulate their Chi for things like healing, telekinesis and imbuing their weapons with rockin’ powers. And it’s a good thing Lee mostly stayed awake during class because the Master of the School is sending a team of students on a mission to investigate an abandoned silver mine. While underground, they are attacked by Earth Elementals, creatures of mud and rock with brute strength and cunning logic equal to a raging hippopatamus, and their new-found friendship and magical talents are put to the test. Earth Elementals sound awesome, but now I'm more curious about why their teachers would send them into such a dangerous scenario....something is afoot!

Actually kicking ass is pretty critical when your life’s in danger and it truly is you (and your friends) against the world.

Before reform school, Lee never in a million years thought he’d be battling subterranean monsters using Eastern mysticism. Then again, he never thought he’d make an actual friend, earn the praise of a teacher, or fall in love either. My only revision suggestion for this query has to do with these last two lines/paragraphs. It feels like two conclusions, when you need only one. At this point you had me hooked, so it's a small thing, I don't think it would make any agent who was interested say "ya know what? never mind." So don't worry! My suggestion is to keep the second one...it wraps up the whole concept better, and the first one feels more like a repeat of above. But of course you'd have to tweak it so the transition from the previous paragraph worked.

Either way, I am so impressed! This story sounds fun, unique, and ripe for the market now. I'm looking forward to reading those first 10 pages and sharing them with Sara. Thanks for participating, Matthew!

Cheers-JV

I'm not going to break down every point she made, except to say wow! What an astute analysis. It is interesting to see that agents are human. For example her response to the mention of Aikido and Kenjutsu is pretty awesome, but I'm guessing that not every agent out there is as young and hip as Joanna, and therefore probably not into martial arts. The other thing here is that Aikido is pretty well known, but Kenjutsu is not, for Joanna to even know what those things are is probably unique to this situation. Agents are pretty smart though, so I could be wrong about that.

I also totally agree with her point about that permission line. It is the best bit of voice in the query, and it would sound cool as an opening hook ... but, it wouldn't make sense without the setup. I feel like that would leave readers going huh?

As far as her analysis about revising the end she is absolutely right. In fact this is one of the main points I struggle with in the book. I won't go into great detail but the idea is that the main conflict is what occurs within Lee's heart as he struggles to grow into a normal human being and leave all his bitterness and grief behind. The actual physical conflict with the creatures is sort of a sub-plot. That is really oversimplifying it, but I'm sure you all will understand.

So what do you guys think? Is that not some amazing feedback to get from such an awesome agent? I sent her my first 10 pages on Saturday, so I'm looking forward to sharing with you all about that.

Thoughts? Questions? Please share them in the comments section!