Seed, by Rob Ziegler

Seed, by Rob Ziegler, is a whirlwind of a tale. A grim, disturbing look at our potential future, it is filled with characters who confound the sensibilities when one attempts to determine who is good and who is evil.

Before I get into my review, let me go into how I discovered this book, which lies somewhat outside my normal reading habits.

At the end of October, 2011, I attended the World Fantasy Convention, in San Diego, California. It was my first (and so far only) ever writing and publishing conference, and I had the time of my life. I met Rob Ziegler, due to us having several friends in common, like Carolina Valdez Miller, and Simon Larter, among others, on Thursday of the convention, and didn't think much more of him than, "hey, here's a nice guy, who is clearly a writer, a publishing professional, or at least a fan."

Then, on Friday night, I attended the Night Shade Books party. Containing a bathtub full of beer brewed specifically for the night, which were based on books published by Night Shade, as well as a balcony mixologist, it was a blast of a shindig, and certainly left more room for breathing and plie-ing with Mercedes than the shoulder to shoulder Tor party downstairs. At the beginning of the Night Shade party, before it got too full, I discovered the dust jacket for the newest Night Shade release. It was Seed, by Rob Ziegler, and not only was the cover gorgeous, but it was blurbed by Paolo Bacigalupi, whose Ship Breaker I had enjoyed immensely earlier that year.

I didn't put the name to the face until someone re-introduced me to Rob, and I realized he was the guy I'd been hanging out with the day before.

So long story short, even though I don't often read adult Science Fiction (being a YA writer, I tend to read mostly books that are similar to the stories I write) I bought the book in the seller's pavilion the following day, but sadly never got around to getting it signed. I'll have to take care of that at some point.

So, now to my review.

This book is gritty, disturbing, and often even disgusting, in the most delicious kind of way. It takes place a couple hundred years in the future, after climate change and the collapse of society have left us at the mercy of the remnants of the bio-tech industry, known only as Satori. Part corporation, part bio-gargantuan monstrosity, Satori is a living city, a grotesque ala Tetsuo from the end of Akira, that produces the bio-engineered eponymous seed; the only crops that are hardy enough to survive in this twisted world. This entity, this character, this thing ... is the single key factor that sets this book apart from anything I have ever read. I don't want to go into too much detail, and give it all away, but this creature is so incredible, so disturbing, so raw, and so amazingly inventive, I was at once appalled, repulsed, and thrilled the moment I first discovered it on the page.

Of course, Satori, and her children, are not the only denizens of this novel. The rest of the characters may not be quite so daunting, but they are fascinating nonetheless. Brood, a migrant Latino refugee, his brother Pollo, and their adoptive father Hondo open the novel with plenty of excitement, but it's Agent Doss, and her so-called troops that carry the story through it's incredible climax.

The best thing, at least for me, about this book, is the moral ambiguity, and the disparate sense of tone. The sections that follow the protagonist, if you can call him that, are full of violence, evil, and the fatalistic finality of doing whatever it takes to survive. So the "good guy," like all of history's greatest characters, is so fully flawed and realistic that he feels nothing short of alive. By contrast, the sections that follow what can only be called the antagonist are filled with a tone of reverent grace, so much so that as a reader I could not help but feel a kind of kindred-ship for the plans of the being who ends up running Satori, for a time. He is only trying to protect the livelihood of his children, after all.

I know I'm being vague, and I don't want to say a whole lot more, but I would like to make one last point - possibly my favorite thing about this book is the ending. I was fully expecting to be left either furious or relieved by the two possible endings I foresaw, but I was pleasantly surprised to find a conclusion emerge that I never could have predicted.

This is Rob Ziegler's debut novel, so I'm looking forward to seeing more from him.

Seed is on sale at:

Amazon

Barnes and Noble

Powell's

Indiebound

What I Learned at WFC 2011

• A Conference is not a Convention.

A convention like ComicCon or DragonCon can be a lot of fun, because it's mostly a casual gathering of fans, all dressed up, with a few serious panels here and there (this isn't completely true, but I'm trying to illustrate a point here). A conference like WFC (which is technically called a convention, if you look at the website, but I'm changing it, because, again, my point) is a much more serious affair. Almost no one dresses in costume, and everyone is carrying business cards and other promotional materials. Writer, Editor, Agent, every single publishing professional there is well prepared to promote themselves and their work.

I don't have a book to sell yet, so I didn't get any business cards made up or anything. Note to self: next time, come prepared.

• Macallan 10-year-old Cask Strength Scotch is probably the most well crafted and high quality spirit I will ever imbibe.

Maybe it was the company, but when Andrew Smith shared some of this very special Scotch with me and my friends, Simon Larter, Jessica Corra, Sara McClung, and Carolina Miller, it made for the best conversations, and my favorite moments of the Con.

• Neil Gaiman is brilliant.

Yes I met him, briefly. He was eating breakfast with his friends at the table next to Simon and me on the last day, and we took a moment to shake his hand and tell him we loved his work, but I also got to see him speak a few times and have a conversation with Connie Willis (I wasn't stalking, it was a kind of panel), and the man is the perfect character to play a rock star writer. Funny, brilliant, kind and honest, he rocked the Con.

• The San Diego Town and Country Resort.

Is not actually another dimension based on 1972 Miami washed of any color saturation by too much alcohol and sleep deprivation, but it sure as hell seemed like it.

All right. So I could go on about things I learned, but this post is getting too long, and I need to just get to the pictures. Here we go:

If it wasn't for the fact that we only have half of Ricki Shultz's lovely smile, this would be the best photo I have. We had a waitress at the bar take this, and she cut Ricki off (not from booze, from the photo). As far as everyone else, in case you don't know these people, from left to right this is: Kiersten White, Sara McClung, LK Gardner-Griffie, Shannon Messenger, Andrew Smith, Carolina Valdez Miller, me, Derek Molata, Ricki Schultz, and then Simon Larter is squatting in front of us so you can't tell how short he is.

You should recognize Simon and myself (in spite of my ridiculous facial expression) by now, so I'll only link you to Jessica Corra, even though I already did once, above. This was at lunch at Taste of Thai on Saturday.

This is everyone at lunch, the same day. The only person in here I have not linked to yet is Jane Kindred.

This was outside the British Wine and Cheese party on Saturday. It was not as glamorous as it sounds.This is Ricki Schultz, Amber Van Dyk, Alexia Chamberlynn, me, and Holly McDowell.

This is the ladies at the Taste of Thai. You already know who they are, even if you didn't know they could get this happy. It was because of Jess, Simon and me.

Last photo I'm putting up, because I just didn't take that many good ones. In case you can't tell, that's Simon, Ricki, Derek, and me. Simon and I are inebriated. Three sheets to the wind. Drunk as lords. I could go on.

Anyway, that's it for today. I'll try to share a few nuggets of wisdom with you tomorrow as well.